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Un libro que entrega las preguntas y las respuestas que más tiempo, espacio y caracteres ocupan en la discusión cibernética, en los cafés y en las calles después de cada marcha contra la violencia feminicida. \u003cp\u003e\u003c\/p\u003e Cualquiera que se pregunte por qué no debe usar el término feminazi, por qué tantos hombres interrumpen a las mujeres, por qué hay hombres aterrados frente al cambio, por qué le damos más valor a una estatua que a la vida de una chica asesinada, cómo se puede ser igualitario más allá del discurso, encontrará aquí las claves para la comprensión y el debate informado. \u003cp\u003e\u003c\/p\u003e Éste es un libro para quienes argumentan que los hombres siempre han sido así y que las mujeres calladitas se ven más bonitas, porque rabiosas frente a la violencia masiva pierden su encanto; ese encanto que da tanta tranquilidad a una sociedad centrada en las necesidades emocionales de los hombres, de los patriarcas, de los machistas, de los conservadores, de los guapetes de la güisquizquierda. \u003cp\u003e\u003c\/p\u003e No son micro. Machismos cotidianos puede abrirse en cualquier página para encontrar la respuesta a nuestras preguntas, los argumentos que las chicas y chicos más jóvenes están buscando para enfrentar una absurda guerra de desinformación que pretende acallar las nuevas formas de convivencia entre personas, de la niñez y juventud a veces indefinible y siempre imposible de etiquetar. Es entretenido, lúcido, implacable, claro, realista y honesto, igual que sus autoras. Si este libro estuviera en todas las bibliotecas escolares y en las redacciones de los medios de comunicación, el absurdo debate sobre lo que significan la igualdad, el machismo, el feminismo y la violencia de género se disolvería para transformarse en la conversación más urgente de este siglo: cómo hemos sido y cómo queremos ser, cómo educar para vivir en paz, en el amor y en la diversidad que reconoce las diferencias sin que cuestionar o rebelarse frente al pasado merezca el insulto, la descalificación o la muerte. -Lydia Cacho\" \u003cp\u003e\u003c\/p\u003e\u003cb\u003eENGLISH DESCRIPTION\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eThey are not micro because they bear a huge problem on their shoulders. \u003cp\u003e\u003c\/p\u003e This is the book that millions of people are searching for on social media. 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If this book were available in all school libraries and in newsrooms, the absurd debate about what equality, machismo, feminism, and gender violence mean, it would become the most urgent subject matter of the century: how have we been in the past and how do we want to be going forward, how to educate so that we can live peacefully, lovingly, and with diversity, one that accepts differences without questioning or rebelling against the past.\"- Lydia Cacho","brand":"Grijalbo","offers":[{"title":"Default Title","offer_id":39372379783305,"sku":"9786073188159","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0376\/3057\/4729\/products\/383a1a71543623b72d1366fad81213e2d7fb9e26.jpg?v=1620158311"},{"product_id":"characterthehistoryofaculturalobsession","title":"Character: The History of a Cultural Obsession","description":"\u003cp\u003e\u003cb\u003eA spirited, engaging investigation into the concept of character, an enduring human obsession in literature, psychology, politics, and everyday life.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eWhat is \"character\"? \u003cp\u003e\u003c\/p\u003eSince at least Aristotle's time, philosophers, theologians, moralists, artists, and scientists have pondered the enigma of human character. 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Bored with her life and feeling stuck, Mia Kankimäki leaves her job, sells her apartment, and decides to travel the world, following the paths of the female explorers and artists from history who have long inspired her. She flies to Tanzania and then to Kenya to see where Karen Blixen--of Out of Africa fame--lived in the 1920s. In Japan, Mia attempts to cure her depression while researching Yayoi Kusama, the contemporary artist who has voluntarily lived in a psychiatric hospital for decades. In Italy, Mia spends her days looking for the works of forgotten Renaissance women painters of the Uffizi Gallery in Florence, and finally finds her heroines in the portraits of Sofonisba Anguissola, Lavinia Fontana, and Atremisia Gentileschi. If these women could make it in the world hundreds of years ago, why can't Mia? 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Building on the lessons shared inÂ \u003ci\u003eDear Madam President\u003c\/i\u003e, Palmieri argues that women have gone as far as they can in a world made for men, and it is time to break from it.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eShe Proclaims\u003c\/i\u003eÂ declares what most women know in their souls but have yet to say out loud-that they deserve something better than a life where men hold a vast majority of power and women continue to be undervalued. 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